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Welcome to Infinartum, a new style of publisher.
We will work as an intimate liaison between the Artist and the Galleries who market the published works. Now the Gallery has much
more of a say about what is published, at what size and price. Artist, Publisher, and Gallery working together to bring Fine Art to
the end Customer.
For further information on our philosophy, please click
About Us
The update below was issued on 2 July 2008 and is from our Recent News
section.
Infinartum is pleased to announce the release of two new prints from David Dancey-Wood. All Eyes, measuring 305mm x 195mm, and Bushbaby, measuring 185mm x 397mm, are both Lithographic prints on Italian origin acid-free 350gsm paper, signed by the artist and limited editions of 495.
David Dancey-Wood is one of the leading pencil artists in the United Kingdom, specialising mainly in wildlife subject matter. His interest in conservation has taken him to many parts of the world where not only has he been able to see first hand the plight of many endangered creatures, but he has also captured them on paper with his pencil studies. He has supported through his work several conservation projects and other charities, including the Jersey Wildlife Preservation Trust and the Dian Fossey Gorilla Foundation. He also works closely with Alison Cronin of the internationally renowned Monkey World Ape Rescue Centre as their art consultant and artist in residence.
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All Eyes
I love frogs and I have a particular love for monkey frogs which I used to keep as pets many years ago. Whenever travelling in Central and South America, frogs are always high on my agenda to search out and photograph. The frogs from this part of the world are stunning in shape and colour, many of them are quite comical with their gangly legs and bulbous eyes.

All Eyes, by David Dancey-Wood
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Bushbaby
A friend of mine who lived in Africa once rescued a bushbaby with a broken leg. Somehow she managed to nurse it back to health and its remarkable agility miraculously returned. Despite it being a wild animal in the few weeks while being nursed, it became accustomed to humans and refused to return to the forest on recovery, choosing to bounce around her backpacker’s bar. I later realised it was the bright lights that attracted tasty morsels in the form of moths and crickets, a favourite part of its diet. Again this picture was indulgence on my part giving me the chance to return to that long format I love so much.

Bushbaby, by David Dancey-Wood
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